Vedute e Visioni: Art by Richard R. Davison and Terry R. Larsen
Oct. 8–Dec. 11, 2020
J. Wayne Stark Galleries | Memorial Student Center, MSC 1110
*Check our homepage or call for opening information before coming to see this exhibition.
Italy has been unique as the repository of three of the most remarkable eras in Western history: the Roman empire, the ascent of the Church of Rome, and the Italian Renaissance. The remnants of these epochs are everywhere, from the great edifices to the most humble streets with their shrines and vernacular decoration. These events shape the social and visual culture of Italy like few other places. This identity finds expression, not only in its religious structures and vernacular architecture, but in the limitations of the stonework and building materials so prevalent in these structures. Thick walls and small openings common in the vernacular architecture contrast with the arches and domes of its largest monuments. Similarly, the organic growth of its towns and cities contrasts with the formal character and geometry of public spaces and buildings. It is this harmony of material yet contrast of purpose that defines Italy.
Richard Davison
In the past four years it has been my privilege to attend TAMU’s Study Abroad program in Italy. During these periods (each fall semester) I was able to study and artistically respond to the rich art-historical heritage of that land. Most of the imagery is directly or indirectly Biblical, which is a reflection of the pervasive influence of Christendom in that beautiful country.
My art work in this exhibit is seldom specific to Italian art and architecture, but it is very much influenced by it. For example, “The Evangelists” is a loose interpretation of the four apostles/gospels as represented in Catholic liturgy, but the lion representing Mark in my drawing is a near copy of the lion on the façade of the Duomo in Orvieto. Similarly, the large painting “Abraham and Isaac (after Tintoretto)” borrows two of its figures from studies made from the ceiling of the Scuola Grande di San Rocco in Venice, wherein I produced numerous studies.
Terry Larsen
The images, captured during the weeks spent in central and northern Italy, display the unique Italian cultural and physical environment. This blend of old and new forms the visual experience for native and visitor alike.
In these images, I chose to capture the harmony, the discord and contrast that occurs in the Italian environment. As one region flows into the next and architectural styles melt together, organic materials and urban spaces contrast with the symmetric geometry of its structures and provides the order transmitted through the ages. Darkness helps reduce the tourist masses and allows the camera lens to concentrate of these elements. And always there is the unique landscape from Tuscany to the Ligurian Sea to the Dolomites, each adding to the beauty and experience that is Italy.
Interactive Catalogue
Explore this interactive catalogue and go on a tour of the exhibition. You can immerse yourself in 360-degree views and watch the artists talk about their work.
Virtual Tours
Use your mouse to navigate through the 360-degree views below.
Comments
The artists would like to hear your thoughts. Whether you visited the exhibition online or in person, submit your comments below.